Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Blackpool, Harden and Grange-over-Sands

A colourful miscellany of footage from both sides of the Pennines.

Have You Seen This Before?

A story with no (real) narrative that just takes you through a holiday in Wales to show you how great it can be, whilst also trying to explore the creativity that cinematography and colour grading can present to you.

Mabel

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

Beauty Exists Within Our City

A proof by example of the existence of beauty within Seattle.

Ask This of Rikyu

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

The Queen

In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

Beauty Factory

From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.

The Codes of Gender

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Kanaka

Mikha is a nail artist who is very passionate about her work. She works so hard that she sometimes forgets to spend time with her family. She wishes her husband could have more time for the family, so that her child doesn't need to be taken care of by his mother all the time. They argued a lot about who should take care of their children. Mikha feels that her nail art studio is not suitable for her child's growth. She wanted her daughter's life to be better than the bitter stories of her clients.

Served Like a Girl

Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.

Les Couturiers de l'Église

Pretty Old

When 30 women aged 67 - 84 from across America and around the world descend on Fall River, Massachusetts to compete in the 30th anniversary Ms. Senior Sweetheart Pageant, hilarity and heartbreak ensue.

Always Beautiful

Narratives are tales that unintentionally define our personality. In the case of women, being beautiful is the only way. The film shows how we learn to be obsessed by the visual itself, and how the highest compliment to a woman is always beauty.

Smile

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

Desire for Beauty

Four people turn to plastic surgery as the last resort in their search for perfection - their appearances will change, but will their lives?